THINGS AND MEN
FROM THE NATURE…TO THE IMAGE
FROM THE PROCESS…TO THE WORK
My artistic practice consists of actions such as making, transforming, collecting, manipulating or assembling. These gestures contribute to my research on the materiality of images but also on their potential in virtual space. By experimenting with many photographic techniques and other mediums such as drawing, video or writing, I give shape to installations, photographic films or object books. These manipulations generate a lexicon of correspondences, between the process of appearance of images and the functioning of our ecosystem. This is evoked by representations of objects and those of raw telluric materials. Analogies and confrontations construct a network of meanings with multiple degrees of interpretation. The space produced in the works is all the more hybrid there, as a sensitive gaze coexists with analytical and quantified data. This dual approach allows me to question the place of intimacy in an increasingly defined living environment.